After eight years, the ABC show Castle has ended. Despite a strong premise and a superb cast and excellent presentation, the show exemplified dramatic entropy of the most annoying kind and after an earlier announcement that one of its two main stars would not be returning for a ninth season, the decision was taken to kill it.
I watched all eight seasons. Initially, I loved it. How could I not? The title character was a writer—true, every wanna-be writer’s wet dream of a writer: successful, rich, sexually active, and cool—who manages to fall into a plum opportunity “riding along” with one of the best detective squads in the NYPD. Richard Castle, because of his social status (privilege) can manipulate his way via the mayor into this spot, despite Detective Kate Beckett’s strong and perfectly reasonable protests.
So far so good. He’s the loose cannon, the out-of-box thinker, she’s by-the-book and wicked smart. They combine into an ideal team.
There was the story arc of Beckett’s mother’s murder that bound multiple seasons together in an ongoing manhunt for the real power behind the murder, which they played out in just the right amount while doing some of the smartest police/detective drama on tv. The first three seasons were gems of the form.
But then the creep set in. For whatever reason, Castle himself started losing some of the savvy that made him special. He seemed often to have forgotten that he once knew these things. The daredevil kid grew more cautious and in some cases lost his nerve.
Worse, he became the most gullible smart person on television. He went from someone very grounded and aware of the world as it is to the ideal X-Files fan, believing in—or hoping to believe in—the dumbest, most debunked, infantile nonsense. As a foil to Beckett’s far more consistent logic and common sense it was amusing. But as it continued it just got tiresome.
And then they fell in love. Very plausibly, I might add, and it gave the show another boost. Why not? It was the sense of impending disaster that kept Beckett from allowing herself to see what was happening between them.
And then there was the mystery of her mother. That turned out to be a surprisingly plausible mcguffin. When they finally found the culprit, it made sense, and then later when Beckett was able to arrest him, it was very satisfying.
But then what? Marriage, more crimes, more of the same. In the logic of tv series, someone says “They need a Nemesis!” So a new one was invented. A power behind the power. Another layer.
Mishandled, though, with none of the deep logic of the original. Just a faceless entity who was doing…what? Aside from somehow being a bad guy, what exactly did this Locksat do that was so harmful to society? To what end other than to bedevil Our Heroes did he exist?
Still, when the writing was on and the crime of the week was good, the show still managed to appeal. And the byplay between Castle and Beckett was enjoyable. But you could see that it didn’t have long to go before it all ran out of steam.
Last night, May the 16, the series finale aired. Apparently there were two episodes filmed, depending upon renewal or cancellation. We got the cancellation episode.
It was dire. Never mind plot holes, the striongs that were being knotted to tie all the loose ends together were visible almost from the beginning. We discover who Locksat is and it’s so out of left field as to have no impact,no satisfying “AH HAH!” moment. The loony assassin is interesting, but he has no backstory to speak of. Beckett and Castle both accept too many things at face value and walk right into—
They were all tired and wanted to be done with it. The series has ended, we know what happens to Our Heroes, and there is finality. If not a decent closure.
Why the decision was taken somewhere around the middle to end of season three to start lobotomizing Richard Castle, I don’t know. It was funny occasionally but it just got painful. Beckett remained consistent, even when she got a little ditzy over Rick (but love will do that, so it wasn’t really implausible). There were a number of strong episodes in every season, even this last one, but overall…
It is not necessary for only one main character to be the smart one to make something like this work. Those first three seasons proved you could have intelligence in both characters. It didn’t even have to be the same kind, which was the point initially. But they had hit upon a formula and it seemed top work. And they rode it to the dismal end.
But it’s over now. Maybe they’ll spin off a show featuring Castle’s daughter, Alexis, and her new best friend as a pair of female P.I.s. That could work. But please, stop thinking that smart doesn’t sell. Stupid is just that and not very good drama.