Month: May 2024

The Trajectory of Faith and Historical Reality

/ Mark W. Tiedemann / Leave a comment

All histories are potentially divisive. Depending on how one approaches a period, supporters, detractors, identitarians, anyone with a self-appointed mission to either defend or attack certain sacrilized bovines may find agitation to the point of absurdity. The historian must be at least aware of all this before tackling her subject. Not with a view to self-censorship (although that may happen by default) but to know how much referencing and documentation may be required to overcome (somewhat) assaults based on issues having only tangential relation to the history being examined.

Which is one reason a book such as Peter Heather’s new Christendom: the Triumph of a Religion AD 300—1300 is both hefty and well-notated. He is not here interested much in the assertions of Christianity, only in the evolution of the religion over time as a social and political entity. The road from minor cult to the dominant aesthetic and political reality of Europe by the 14th Century is here examined as a system. How did it get to the point where we are still wrestling with questions of cultural legitimacy as they impinge upon the political realities of modern life?

Heather resents his credentials—agnostic, let’s say—as someone interested in what people did and how they did it. This is a history like any history of a country or a people. Dates matter. Major players matter. Shifting demographics matter. This is the story of bureaucracies and armies and successions and, above all, assertions of power. The Christianity that emerged over centuries after Emperor Constantine declared it the state religion of the Roman Empire is, regardless of how individual believers may feel, a political system. After Constantine is certainly became something other than what it started. The road it traveled is fascinating and maps closely to the more usual history with which we are familiar (if we are familiar with it).

This adds a layer as well to the questions of why Rome “fell” and how the Crusades began and failed and the way in which dynastic politics became inextricable from the dissemination of a faith that, in primary ways, was diametrically opposed to everything Europe became.

Two details make this a fascinating take on the topic. One, Heather goes into great detail over the matter of conversion. Of course, we know the famous ones—Augustine, Constantine, the less well-known Pegasios—and by these we understand it to be a dramatic, soul-wrenching experience. But when closely examined, it was never so simple, and for the vast majority of people at the time it was much more mundane. This month we’re worshiping Apollo, next month Sol Invictus, the month after that the Christian God. In order to comply with the law and obtain work, we must change our associations. Constantine’s mandate impacted the Empire through patronage. In order to obtain a position in the government, conversion was required. Heather makes clear with the case of Pegasios (bishop of Ilios, 350s A.D.) that it was a revolving door, as Pegasios had no trouble going back and forth between paganism and Christianity as circumstances dictated. This was not, for him (and presumably many others) a matter of salvation of the soul as it was a matter of livelihood and income.

Moving forward, it then appears obvious that the vast majority of conversions were pro forma. The king has decreed he and his subjects shall be Christians and so the people go to a different church.

This contradicts the idea of a major ideological revolution sweeping the continent. This was political.

Once understood, subsequent Church history makes more and more sense as history. Alliances, territory, prestige—all the values of a strong state—contributed to the eventual displacement of older religions as Christianity became the dominant ideology.

It is in the triumph of that ideology—or, rather, its symbols—that the success is traced. What people followed willingly (and, to our dismay, today) is a successful leader who could demonstrate a special bond to fate. The story of Constantine’s victory at Milvian Bridge is not a single unitarian narrative. There are four versions and it seems obvious in context that each served a public relations purpose. The Chi Rho triumphant, symbol of early Christianity, figures prominently in the story, but not in the same way in the various tellings.

Which is also where Christianity veered off its previous path of peace and harmony and, over time, became a militant religion. The leader who was victorious in battle and claimed aegis of the Christian god got to say which god would be worshiped. The contradiction emerged from the beginning. Peace and War joined in a paradoxical arrangement to underwrite the legitimacy of king or emperor.

The other thing Heather’s history dispels is the myth of the barbarian hordes. We tend to visualize them as rude brutes with no learning pouring brutishly into Roman precincts destroying a sophisticated civilization. In reality, these “barbarians” had learned from Rome and were in many way culturally on par with the empire they were displacing. And they brought with them their own variations of what they saw as True Christianity.

Which leads to another aspect that is oft misunderstood, which is the mythology of the Church Triumphant calling all the shots across Europe. That did happen, but it was a long process and fraught with setbacks and disputes. For much of the millennium being discussed, it was the kings who told the church what to do. Charlemagne’s crowning as the first Holy Roman Emperor was his idea, stage managed on his end, with the Pope going along with it lest there be consequences.

In short, this is an agnostic analysis of the growth of a bureaucratic, political system which follows the twisted paths of such things like any other. And by the time Rome became predominant once more, it was at the head of a religion that barely resembled the early pastoral communities from which it sprang. Each stage was a near-run thing and the unity of the Church was never what it appeared to be. 

Which is a curiously pertinent bit of history to become acquainted with now. Keeping the components separate and knowing how such things happen is a useful tonic in an age where the cries of faiths that claim unalloyed divine cause to overturn anything in their path. 

Destroyer of Worlds

/ Mark W. Tiedemann / Leave a comment

Oppenheimer is powerful film. Perhaps it requires someone versed in science fiction to do something like this. The world changed when Trinity went off and the only art form that doggedly tackled the ramifications of that change was science fiction. Unleashing the power of the atom was transformative in ways most people at the time could not fathom. Since the introduction of that power was as a weapon, it is natural that people would be, at best, ambivalent about its potential. The way the country dealt with that over the next 15 years did little to ease people into this new reality. We were in the midst of the second Red Scare at the same time, so everyone’s nerve endings were constantly assaulted by things triggering panic.

What the film manages to do is convey that arc from the collapsing world order through the triumph of community action and the achievement of dedicated people to create something new down into the cesspool of post-war anxiety that poisoned everything. What begins as a youthful encounter with new physics on the cutting edge of revelation becomes the hardened pragmatism of survival (theory only takes you so far) and then disintegrates in the endemic distrust of men trying to contain something they categorically do not understand. The impossibility of isolating the discoveries of the American program becomes the paranoid insistence that no one can be trusted, turning the youthful dream into the nightmares of the guilty.

At the same time, we are treated to several well-placed mini-presentations of problem-solving and the nature of the subatomic realm as revealed by the drive to build The Bomb.

Cillian Murphy is amazing as Oppenheimer. We are treated to glimpses of many of the players involved, each distinct, and perhaps the fairest portrayal of General Groves in any dramatic presentation to date.

But the core of the film is that turn from one world—one kind of world—to another. The Trinity test is just past halfway in and much of the event occurs in eerie silence. Probably accurate, but as useful as that may be, it is the symbolism that strikes home. No word is spoken, no sound, either of bell or crying prophet, no whisper in the vacuum of transition. Nolan ties this together with an interaction at the beginning, a conversation between Oppenheimer and Einstein by a lake that is unheard (though tragically misinterpreted by the uninvolved witness), and revelation of what was said at the end. Just as in particle physics, we observe small interactions that ramify into huge consequences.

The scientists who were trying to caution the politicians that this was something for which they were woefully unequipped all seem to underestimate the venality of those with whom they must deal. Most of them, anyway. A few understood quite well and acted on their knowledge for both good and ill. Multiple tragedies emerge.

The movie leaves us with much to ponder, but it is we who must do so and conclude what we will. To say they should not have done what they did is pointless. Many of these people were condemned later, for a variety of reasons, early victims in the emerging world of cynical power management that characterized the post-war years.

And for all its excesses and over-the-top drama, it seems that science fiction was always the best tool for trying to cope with what happened after the genie emerged. Mutability is at the core of SF, mutation both subject and theme, and as absurd as some of it may have appeared to the general public, especially through the radiation scares of the Fifties, it has turned out to be more or less on the nose with respect to the cultural reactions. Which, finally, may be why the best dramatization of all this has come from someone who is familiar and skillful with the tools of SF.